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This analysis of music in cultural geography, in the context of the inner Sydney-based band, The Whitlams, traces the creative links between sounds, 'scenes' and places. Based in Newtown, The Whitlams are associated with political values, evident in the band's name, and social values tied to and opposed to urban changes, such as gentrification, where community is threatened. The band's lyrics emanate from their experiences, challenging commercialisation of city life at different scales and reflecting the anomie of city living, but defending its virtues, whilst also fostering place stereotypes. The audience was similarly inner-city based until the band's recent commercial success, which has challenged The Whitlams' identity and radicalism, and resulted in mainstream appropriation. Though The Whitlams continue to reaffirm their local identity, and local audiences have remained, the popularity and commodification of their music has challenged concepts of shared meaning, the link between bands and their fans, and the connection between music and its place of origin. The Whitlams' music nevertheless remains a means of evoking and sharing a sense of place. 相似文献
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“噪”起来：广州音乐现场的文化地理研究 总被引：4，自引：1，他引：3
将广州的音乐现场看作一个承载制造“噪音”的场所,以6个现场音乐酒吧为具体案例,通过定性分析的方法探讨音乐现场如何连结不同人和不同的地方,以及如何被建构成一个“动态”的空间和“越轨”的地方。研究结果表明：音乐现场作为一种动态的物质文化空间,由经营者、组织者、音乐人和乐迷通过社会实践共同建构而成,成为所有音乐演出参与者之间的关系及其与不同地理尺度之间关系的节点;音乐现场作为一个“越轨”的地方,将音乐现场的“局内人”和“局外人”区分。上述结论回应和丰富了现有音乐地理研究的内容和成果,并对中国超越“看的方式”进行文化地理研究提供了新的切入点。 相似文献
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论创意产业及其集群的发展环境--以音乐产业为例 总被引：27，自引：0，他引：27
文章通过对音乐产业的案例研究,探讨了创意产业与城市发展的关系,以及创意产业集群的价值。文章指出,创意产业已经成为城市发展新的增长点,极富创造力的创意阶层是创意产业活动转化为商业价值的核心,创意产业集群能够为创意阶层提供良好的文化环境。城市的创意产业政策应将重点放在建设效率基础结构和创新基础结构上。 相似文献
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Urban geography as pretext: Sociocultural landscapes of Kuala Lumpur in independent Malaysian films 总被引：1，自引：1，他引：0
Khoo Gaik Cheng 《Singapore journal of tropical geography》2008,29(1):34-54
Current independent filmmaking in Malaysia has the potential to be an alternative and viable space for creative and political expression, relative to mainstream national cinema (Malay cinema) and to the state. I focus on alternative imagery and sociocultural mappings of Kuala Lumpur in three ‘indie’ films. All three films contain documentary elements capturing social geographies of the city not represented in mainstream Malay cinema, or even if represented not subjected to a critical gaze by the filmmaker. The Big Durian centres on the perspectives of the city's urban middle class of all ethnicities; Bukak Api portrays the daily struggles of Malay transsexual sex workers in Chow Kit, a predominantly working‐class Chinese neighbourhood and red light district; and 18? highlights the opinions of the nongovernmental organization community, bohemians, artists, anarchists and media activists mostly in the cosmopolitan suburb of Bangsar. These representations of the Malaysian urban landscape are pretexts for and politicize the national landscape through a discussion of ethnicity and race politics, sexuality, and the lack of space for freedom of creative expression and critical thinking. 相似文献
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中国新愿景下的文化与空间有机融合的地理途径与机遇 总被引：1，自引：1，他引：0
随着全球化的深入发展,国家竞争力日益依赖于以科技为支撑的硬实力、以人才为源泉的智创力和以文化为核心的软实力,以及能吸引并承载这些关键要素的多尺度创新空间。这些空间既包括有利于产生和激发创新的地方或场所,又包括叠加交织在这些场所中能促发各种思想交流碰撞、各类社会关系构建的文化氛围和生态系统。因此,如何使文化作为一个关键要素根植于空间,进而打造出具有文化品位且能生产新文化的地方,正逐渐成为亟须研究的核心议题和学界所面临的一大挑战。本文首先基于对中国新愿景的解读和文化本质的辨析,呼唤中国迫切需要形成一种与其大国综合实力相匹配的新文化;之后,基于历史发展透视论述了如何通过文化根植打造新地方,以提升城市和国家的竞争力;最后,本文强调了地理学人应高度关注有关文化与地方相互作用的一系列新研究命题,以在这个以人本化为导向,追求舒适宜人性、城市性、流动性、通达性、人文性和安全性的时代,进一步优化创新空间并推动城市的可持续发展。为回应这一召唤,地理学需要扩展其研究视角,在继续关注宏观区域分析的基础上,更加着眼于微观空间/地方打造的研究。 相似文献
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Jacqueline Clements 《The Australian geographer》2018,49(4):537-552
ABSTRACTLimitations in scale, infrastructure and business opportunities in combination with a greater sense of community in small centres require a more diverse understanding of the small city creative economy. Entrepreneurship and business development builds on non-capitalist resources, creative community initiatives, volunteers and community networks. Fostering the creative economy in small cities requires a rethinking of creative narratives that iterate the key role of non-capitalist community resources. I illustrate this argument via a case study of the Blue Mountains Music Festival, in New South Wales, Australia. It examines the gap between creative economy aspirations of a small city government and the reality of creativity ‘on the ground’. The City of the Blue Mountains is a small urban centre on the fringes of metropolitan Sydney and regional New South Wales. Its council has recently adopted a creative industries approach to enhance local employment in line with national and metropolitan creative agendas. The Blue Mountains Music Festival was launched in response to creative economy policy more than 20 years ago, but has now lost this connection as it fails to fit current policy aspirations. The festival is, however, an effective example of how creativity in a small city unfolds, demonstrating that beyond jobs and growth are key matters of non-capitalist community networks and resources. 相似文献
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地方创意环境和实体空间对城市文化创意活动的影响——以北京市南锣鼓巷为例 总被引：11，自引：4，他引：7
文化创意产业成为21世纪中国经济的重要增长点。本文以北京南锣鼓巷的案例,展示了在文化体制改革的背景下,自发形成的地方创意环境和实体空间对城市文化创意活动的影响。近十年来,作为老城中心休闲场所的南锣鼓巷,已经成为演员、导演、编剧和其他艺术者集中的文化创意地。质性访谈和小样本的问卷调查显示,丰富的历史文化遗产、周边高等级的艺术和演出机构提供了创意活动的有力支持,有形的历史文化空间则形成创意过程的催化剂;而酒吧和咖啡店等的出现使创意人才得以聚集,其中的创意交流活动则促进创意成果的产生。本文认为,打造文化创意园区并非唯一的发展之路。是否能吸引具有创意潜质的人才,将其有机地组织并提升集体创造力,进而促进创意活动更密集地发生才是关键。 相似文献
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Creative industries in the tropics: Reflections on creativity and northeastern Australia as place 
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下载免费PDF全文 Ryan Daniel 《Singapore journal of tropical geography》2015,36(2):215-230
This paper explores the concept of creativity and place as relevant to Cairns and Townsville in northeastern Australia. These two provincial cities are key to the economic and population growth of northern Australia and as such are the focus of renewed interest from all levels of government. While the creative industries sector in each location is significant, to date there has been no research specifically exploring the views of industry participants in terms of the creative strengths, impediments and opportunities across the region. Interviews with 38 creative industries participants were completed, revealing the significant benefits and challenges associated with being located in a remote tropical environment where the concept of place is strong. The interviews also reveal a number of potential growth strategies for the sector in each location that have the potential to inform policy and urban development approaches not only in the tropical north of Australia but also more broadly across the country. That is, the findings provide further evidence in support of the need for ongoing research into the particular contributions of regional and rural cities to the global creative economy. 相似文献
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典型少数民族文化旅游地开发与保护——以喀什地区为例 总被引：7，自引：3，他引：7
少数民族文化旅游资源主要表现形式为语言、宗教、历史、文化、艺术、生活习俗等，对国内外旅游者具有很大的吸引力，但也很容易受以外来文化冲击，失去本民族特色，从而失去旅游价值，对这种类型的旅游资源开发应遵循民族性、神秘性、艺术性、特殊性、传统性原则。喀什地区内部旅游开发应注重以老城区为核心的历史文化名城保护、城市-旅游一体化建设和维吾尔音乐舞蹈等艺术产业化建设；以喀什为基地对外延伸至周边中西亚国家，共同开发和建设中西亚贸易旅游区，并进一步促进商贸旅游区域网络体系的形成和发展。 相似文献
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MAUREEN JACKSON 《Geographical review》2012,102(3):337-349
Taking the late Ottoman port and boomtown of Smyrna/Izmir as a case study, I interrogate a priori concepts of cosmopolitanism in historical studies, choosing to be “archivally cosmopolitan” by working from the ground up to interpret primary sources for what they can illuminate about social complexities in the imperial port. A view from the hinterland, well studied as the agricultural economic base of Izmir, presents an Ottoman cultural geography that embraces the city and complicates its “Europeanized” image. A mainstay of daily life—music—reflects this cultural intermixing as well as the social stratification of an entertainment world, a dimension often filtered out of maritime, progressive, Eurocentric historiographies. Recovering stories from inland urban space, I aim to contribute to a dialogue about cosmopolitanism and the extent to which its commonplace usage obscures cultural histories. 相似文献
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Eleonora Redaelli 《Urban geography》2013,34(4):608-623
The creative city discourse has been shaping cultural policy worldwide. Among the multifaceted goals highlighted by scholars, one aspect that is not thoroughly emphasized is the understanding of creative cities in terms of culture-centric approaches to foster city cohesion. In this paper, I study the value of focusing the idea of the creative city to integrate diverse communities in a historic context: the city of Rome during the reign of Augustus. The aim is to provide a broader historic frame of reference to better articulate the function of the creative city discourse. Through the analysis of primary and secondary literature in Ancient Studies, I highlight three aspects of Augustus’ remaking of Rome: integration, spectacles, and beauty. From these aspects, what emerges is the idea of a creative city as a vital and spectacular place that offers access to arts and culture involving the diversity of the population, presenting a wide range of art forms, and enhancing the beauty of the built space. 相似文献
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选取厨师创意群体为研究对象,通过对历年《国家名厨》入选厨师流动轨迹数据的收集,借助空间分析和网络分析等方法探究厨师创意群体的空间分布和流动网络特征,在此基础上采用岭回归分析方法揭示影响名厨在中国不同城市流动的主要因素。结果表明：1）中国名厨的出生地和现居地呈现差异化分布特征,不同菜系名厨均在菜系发源地周边形成一定的地域集聚,但部分菜系名厨呈现全国扩散趋势,反映地缘文化和市场因素的共同作用。2）名厨流动网络空间不均衡性明显,并且不同阶段的流动网络存在一定差异,欠发达地区人才流失现象突出,核心名厨群体表现出更高的地方“嵌入性”。3）建立在“学徒制”之上的社会关系网络是影响名厨空间流动的最核心要素,其次是城市餐饮业、服务业和总体经济发展水平,而基础设施和文化娱乐设施等因素影响并不明显,反映厨师群体特殊的社会网络结构、工作性质和文化水平特征。 相似文献
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中国创意产业区理论研究的进展与问题 总被引：4，自引：0，他引：4
创意产业在中国发起于21世纪初的东部大都市,系统收集国内建筑学、产业经济学、人文地理学、区域经济学等学科的创意园区相关研究成果,评述中国自21世纪初创意产业兴起以来的基本概念研究、创意园区成长模式及机制、创意园区空间组织与园区规划、创意园与城市更新、创意园内部空间的研究进展。认为中国大城市内城产业升级与城市再生为创意园区的诞生与发展提供了历史契机。通过近8年努力,国内创意园区研究①已初步形成以创意园区成长模式与机理、创意园区规划建设、创意园区与城市更新为主的研究方向;②研究方法形成了以实证主义为主流的哲学基础;③研究队伍呈现以城市规划学、人文地理学等学科为主的综合交叉。同时,综述认为：中国对创意产业区相关概念认识不清,未能将集群的内核与创意产业的核心有机融合;其次是对于创意产业区的研究应坚持从微观的创意产业的某一类型,甚至是其一项目为分析单元,从制度、经济、文化等宏观方面诠释产业区内核的组织与发育过程;再次是中国创意产业区研究必须从创意经济和＂全球性—地方性＂博弈视野,探索创意产业区形成与演化的生境和其对城市发展—空间规划的空间效应（也即创意空间的生长）及城市响应策略研究。 相似文献
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《The Journal of geography》2012,111(4):154-165
Abstract Conventional geographical approaches to the city tend to place the study of urban form and urban space squarely within the political-economic and cultural branches of geography. Geographic pedagogy has tended to assume, therefore, that nature is absent from the city or exists only as a backdrop or stage on which urban economic and cultural activities take place. In contrast, there has been a recent groundswell of interest—originating in places as diverse as environmental activism, environmental history, landscape architecture, and environmental education—in reinterpreting the city as a space intimately connected with nature. This article examines the possibilities for integrating this rethinking of the relationship between city and nature into undergraduate education. Specifically, it outlines the rationale, objectives, and design of a course on urban ecology and examines the benefits and challenges of doing urban ecology as part of geographic education. 相似文献
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LILY KONG 《Geographical review》2009,99(1):1-22
ABSTRACT. Shanghai and Singapore are two economically vibrant Asian cities that have recently adopted creative/cultural economy strategies. In this article I examine new spatial expressions of cultural and economic interests in the two cities: state‐vaunted cultural edifices and organically evolved cultural spaces. I discuss the simultaneous precariousness and sustainability of these spaces, focusing on Shanghai's Grand Theatre and Moganshan Lu and on Singapore's Esplanade—Theatres by the Bay and Wessex Estate. Their cultural sustainability is understood as their ability to support the development of indigenous content and local idioms in artistic work. Their social sustainability is examined in terms of the social inclusion and community bonds they engender; environmental sustainability refers to the articulation with the language of existing urban forms and the preservation of or improvements to the landscape. Although both Shanghai and Singapore demonstrate simultaneous precariousness and sustainability, Singapore's city‐state status places greater pressure on it to ensure sustainability than does Shanghai, within a much larger China in which Beijing serves as the cultural hearth while Shanghai remains essentially a commercial center. 相似文献
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宁波老工业区创意空间孕育机制研究 总被引：1，自引：0，他引：1
城市老工业区创意集群成长机理是产业集群研究新近热点领域。以宁波市为例,基于扎根理论和结构方程模型,借助问卷调查和半结构式访谈数据,构建并验证城市老工业区创意空间孕育机制理论模型。研究发现：①宁波老工业区创意空间孕育机制包括地方空间、资本空间和关系空间3个主维度,以及经济区位、制度因素、社会关系网络、文化氛围和办公环境5个内核,最终形成“地方空间的感性认可→资本空间和关系空间的理性约束→地方空间、资本空间和关系空间协同→关系空间的反馈”闭合空间生产链;②研究所开发的城市老工业区创意空间孕育机制量表包含5个维度13个问项,结构良好,且具有很好稳定性和鉴别度,并利用结构方程模型和地方性量化指标在宁波3个案例中检验了理论模型的准确性;③国有资本控制的老厂房改造式创意园(创意1956产业园)和国有资本控制的高端写字楼群主导的创意园(和丰创意广场)的创意空间均发育良好,而纯民营资本控制的老厂房改造式创意园(启运86微电影产业园)的创意空间发育较差,有关差异的影响因素及其作用被模型甄别。 相似文献
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文化创意产业区位模型与浙江实证 总被引：1，自引：1，他引：0
以浙江省为例,基于区位熵方法借助从业人员数据刻画文化创意产业空间格局,并运用主成分分析法与OLS模型,甄别驱动因素佐证文化创意产业区位模型。结果表明：① 市域尺度浙江文化创意产业区位规律不仅具有“资本空间”（杭州）集聚性,还具有“地方空间”（舟山、金华和台州）分异性;② 经济科教、政府支持、市场需求、环境、交通和地方性是重要区位因素,且不同重点行业、不同地理层级所受区位因素不尽相同;③ 浙江文化创意产业全行业区位特征主要是基础设施和管治双要素驱动型,8重点行业区位特征主要是“软因子”驱动型;④ 研究有助于提升城市文化创意产业政策着力点与规划调控协同性。 相似文献
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文化创意产业的地理学研究进展 总被引：6，自引：0，他引：6
从20世纪90年代开始,西方人文地理学与社会学、新闻传播学、城市规划、经济学等学科一道对文化创意产业进行了一系列的研究。这些研究涉及了很多议题。其中与地理学关系较为密切的包括：文化创意产业的概念和特征;产业的空间集聚;城市环境与文化创意产业发展的关系;以及文化创意产业研究的方法等。由于文化创意产业作为一种经济现象是新生事物,上述每一个议题都充满争议。西方地理学在这一领域取得了引人瞩目的成就,并且对城市政策、文化政策领域产生了实质性的影响,十分值得我国地理学界加以借鉴。针对我国国情,笔者指出文化创意产业集聚区的发展政策,地方社会文化环境对文化创意产业发展的影响,文化、经济与地理理论的结合应当是我国地理学界当前主要关注的议题。 相似文献