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1.
John Finn 《GeoJournal》2009,74(3):191-200
After more than three decades of isolation from the West and a paralyzing economic crisis in the early 1990s, Cuba is increasingly
globally active in both cultural and economic realms. In this paper I use Bourdieu’s (The fields of cultural production, 1993)
fields of cultural production as a general frame through with to inspect the commercialization of Cuban music. Through a case
study with Juan de Marcos Gonzalez, the creator of the Buena Vista Social Club, I explore the dialectical relationship of
music as an expression of cultural and a cultural asset, and at the same time a commodity for the international market. I
show that de Marcos uses his position between the international music industry and the local music scene in order to preserve
cultural authenticity and survive economically. In doing so he challenges the all-to-typical place of the artist in the contested
space of cultural production between the West and the Third World.
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2.
Xiaobo Su Author Vitae 《Geoforum》2011,42(4):496-505
The commodification of culture has received much attention in social and cultural geography. Based on empirical research in Lijiang, a World Heritage site in China, this paper contributes to an understanding of commodification through a focus on selling ethnic music to tourists. Drawing upon a theoretical framework of tourism commodification and the cultural politics of music, I argue that the commodification of music is embedded in a temporal process in which culture, economy, and politics synthesize to shape place making and identity building. This paper presents three major findings: (1) commodification sustains discourses of identity building and cultural revival that in turn serve to justify the pursuit of profit; (2) commodification is variegated over time and across space; and (3) commodification provides the conditions for local musicians to increase their capacity to produce local narratives of music. By demonstrating the commodification of ethnic music and the cultural politics of musical space in Lijiang, this paper calls for an interconnection of economy, culture, and politics in understanding the materiality of music. 相似文献
3.
This paper discusses the dynamic cultural economy of British drum and bass (D&B) music, which emerged out of Britain’s rave culture in the early 1990s. We suggest that D&B offers insight into more general issues regarding the relation between alternative cultural economies and capitalism. We examine relations between D&B and the mainstream capitalist economy and argue that D&B calls attention to the possibility for alternatives to conventional capitalist relations to survive and possibly thrive without pursuing separation from capitalism. We also theorize D&B as a vehicle towards empowerment regarding the industry segment vis-à-vis the mainstream music industry and also regarding D&B’s practitioners, many of whom can be understood as marginalized discursively and/or materially. However, D&B empowerment is fragile, due in part to technological changes that threaten practices that have helped cultivate innovativeness as well as communal relations. The empowerment of alternative practices is fragile not only for D&B as an industry segment, but also from the vantage point of internal power relations – notably with respect to differences along axes of gender and generation/age. Our conclusions indicate the broader significance of the paper for critical social theory and propose how new research might build on our dynamic view of D&B’s cultural economy. 相似文献
4.
Preliminary claims have been made that working practices within cultural industries such as fashion, music, design and the night time economy may differ from Fordist or modernist arrangements. Cultural firms are often imagined to be more innovative, information-rich, dynamic, flexible, non-hierarchical and dependent on local clusters and networks than their Fordist counterparts (Lash and Urry, 1994). As their impact and significance increase, understanding how creative and cultural industries actually work is of high priority. This paper presents preliminary findings from an on-going ESRC funded study of cultural Micro and Small Enterprises (MSEs) within Manchester, England. Drawing on one element of the project, this paper considers the significance of risk and the importance of social trust for the cultural entrepreneur. Following a discussion of Beck’s development of risk as an analytical concept, and its intersection with Giddens’ notion of ‘active trust’, the paper examines how risk and trust are defined, experienced and negotiated by entrepreneurs in Manchester’s cultural industries. It is suggested that senses of risk are constitutive and often pivotal to the whole economic and social basis of cultural entrepreneurship – risk being central to choices made not only in business but in the lifeworld more generally. The paper then investigates the importance of trust for facilitating as well as countering or offsetting risk. Empirical evidence is presented to show how risk and trust co-relate and interact as constitutive elements within a wider set of shifting relationships between work, leisure and lifestyle in the ‘creative city’. 相似文献
5.
Research into the music industry has for a long time been almost exclusively dominated by a focus on the production of albums and songs. In recent years, however, cities such as Stockholm have seen the growth of a profitable and varied music services industry producing everything from remixes to music marketing strategies. Standing at the forefront of this growth industry are a large number of firms attempting to combine in innovative ways music and ICT. This can take a variety of forms, for instance: selling and distributing music over the internet; web design and computerised advertising services tailored to music products; software design focused on multimedia products and virtual instruments; high-tech post-production and mixing services; and virtual centres and communities of music industry actors. The article will examine these activities within the city in attempt to measure the direction and cohesiveness of the emerging sector. The article concludes by arguing that these type of new industrial synergies tell us much about the way industrial innovations are formed in an interindustry and inter-cluster environment, and the future competitiveness and shape of the music industry. In particular, the article argues that evidence from Stockholm points to the emergence of a post-industrial musical economy. 相似文献
6.
Lily Kong 《Geoforum》2000,31(4)
In this paper, I examine the role of cultural policy in a newly industrialised economy, which is at the same time a state with a short history and only nascent beginnings in nation-building and efforts to construct a distinctive cultural identity. Using Singapore as the site of analyses, develop an understanding of the intersection between the economic and socio-cultural agendas behind cultural development policies. I illustrate the hegemony of the economic, supported by the ideology and language of pragmatism and globalisation. At the same time, I explore the reception of and attempts to negotiate (and at times, contest) state policies by “cultural practitioners” – artists, dancers, playwrights, actors, directors and so forth, illustrating the disjuncture between state policies and practitioners' ideals. This may be cast as a conflict between social and cultural development priorities as envisaged by the practitioners as opposed to economic development priorities as embodied in the state’s cultural economic policies. 相似文献
7.
Time-stilled space-slowed: how boredom matters 总被引：1，自引：0，他引：1
Ben Anderson 《Geoforum》2004,35(6):739-754
This paper aims to fold the increased attention to issues of materiality in social and cultural geography into the more recent attunement to questions of affect. The vehicle for this aim is a discussion of the complex ways in which boredom, and bodies bored, compose time–space. Somewhat surprisingly, and in stark contrast to its experiential ubiquity, boredom has rarely been discussed within the social sciences. The paper therefore performs a geography of how boredom matters by way of a series of examples of the taking place of boredom drawn from research on music and everyday life. Rather than discuss boredom through the critical concepts that underpin the thesis of disenchantment, such as alienation or anomie, I argue that boredom takes place as a suspension of a body's capacities to affect and be affected forged through an incapacity in habit. Through this discussion I argue that the ‘new materialisms' that increasingly populate social and cultural geography struggle to discern the affectivity of profane social-life and, importantly, cannot conceive of the risk of depletion that boredom, via its connection to meaninglessness and indifference, exemplifies. However, attuning to the movement-from that always accompanies boredom discloses the immanent presence of intensities that on-go even as boredom stills and slows time–space. Based on the ambiguity of boredom that results, the conclusion draws on the ‘not-yet' materialism of Ernst Bloch [The Principle of Hope (vols. 1–3) (N. Plaice, S. Plaice, P. Knight, Trans.), Blackwell, Oxford, 1986] to disclose an image of process-matter that draws on Bennett's [The Enchantment of Modern Life. Attachments, Crossings and Ethics, Princeton University Press, Princeton and Oxford, 2001] concept of an ‘enchanted materialism' but retains a sense of process as incorporating both plentitude and depletion. The basis to this form of affective materialism is the event of hope. 相似文献
8.
As former industrial cities have experienced radical changes to the bases of their economies, the imperatives of finding new roles and functions has often led to the adoption of cultural policies. These are diverse and partial but have become part of place promotion policies designed to attract visitors and investors. The connection with a literary figure offers one exploitable quality and this paper explores the adoption of Dylan Thomas, poet and writer, as an icon for Swansea. What emerges is the existence of a diversity of interested individuals and groups, who start from different positions but work towards a common goal. The tensions about the life and works of the poet, evident over the 50 years since his death are still there but the key players, including the City and County of Swansea, are finding ways of reconciling their differences in the ‘production’ of Dylan Thomas. This use of a writer and his local connections forms part of the more general process of making a cultural policy for the city. 相似文献
9.
Using a new approach to classifying migrant group concentrations, we test for evidence of the effects of globalisation, associated by some with ‘protopostmodernity’, on two Australian cities. Sydney is characterised as an emergent world city and a focus of ‘new economy’ activities. Melbourne is associated with ‘old economy’ activities, dominated by manufacturing. In the Australian context, the onset of globalisation also coincided with significant changes to immigration policy: the end of a ‘white Australia’ policy in the early 1970s in favour of a skills-based policy, regardless of race or ethnicity. We argue that the evidence of the spatial behaviour of ethnic groups for these two cities highlights the essential continuity of ethnic segregation and spatial assimilation processes in two cities where segregation levels and experience are fundamentally different from many overseas examples. We further argue for a need to recognise that context, and the ethnic experience, are everywhere different, both intra- and internationally. 相似文献
10.
Twenty years ago, Ashworth et al. (1988) offered a distinctive and innovative interpretation of a neglected aspect of the urban scene: the red light district. Focusing on the location of female prostitution in a series of Western European cities, their paper suggested that the geographies of sex work are revealing of some of the ‘less obvious’ social and political processes that shape urban space. Here, we revisit Ashworth et al’s paper in the light of subsequent developments in the organisation of commercial sex as well as the study of sexuality and space. Noting important continuities as well as major shifts in the location of sex work, with a significant shift to off-street forms of sex working having occurred, this paper argues that some of the ideas in Ashworth et al’s paper remain highly pertinent, but others appear in need of updating. In particular, we stress the importance of focusing on men as both clients and workers within the sex industry, and flag up a number of connections that might be made with the emerging literatures on the geographies of sex itself. We hence conclude by considering Ashworth et al’s paper as an important early intervention in debates surrounding the relations of sexuality and space, albeit one in which questions of gender, embodiment, and sexual desire remained largely unexplored. 相似文献
11.
Transnational elites in global cities: British expatriates in Singapore's financial district 总被引：5，自引：0，他引：5
Jonathan V. Beaverstock 《Geoforum》2002,33(4):525-538
Skilled international migration is as an important process of both contemporary globalization and the global city. The establishment of a transnational elite of expatriate labour in international finance plays a vital part in the accumulation of capital within international financial centres (IFCs). Expatriate labour has become a major determinant of the IFC, creating financial capital through complex social relations, knowledge networks, practices and discourses. The principal argument being made in this paper is that expatriates are major agents in the accumulation and transfer of financial knowledge in the IFC, and that such processes are undertaken through expatriate global–local knowledge networks and other social practices. The paper is divided into three major parts. Following a discussion of transnational elites as expatriates in global cities, which also conceptualises their contribution to the spatialization of financial knowledge networks, the empirical study investigates the working, social and cultural knowledge networks and practices of British expatriates in Singapore. Finally, the paper revisits the conceptual work on transnational elites and suggests that expatriates were deeply embedded in global–local relations in the workplace and the business/social sphere through interaction with local ‘western educated/experienced' Singaporeans, but were disembedded from the local in the home and other household social spaces due to the invisibility of the local population in their interactions. Both the theoretical and empirical analyses suggests that expatriates are flow in the Castellian spatial logic of the network society. 相似文献
12.
New media, the new economy and new spaces 总被引：8，自引：0，他引：8
Andy C. Pratt 《Geoforum》2000,31(4)
This paper counters proponents of the ‘weightless economy’ who have suggested the ‘death of distance’ in relation to economic and social activities that use the worldwide web (WWW). An analysis of new media developers in New York’s ‘Silicon Alley’ demonstrates that place and distance are still important. The most important aspect of this co-location is the possibility of social interaction. This paper points to the value of analysis of the material practice of the social (and the economic and cultural). The notion of ‘untraded dependencies’ is developed through looking at its manifestation and constitution in the specificity of space, time and economic activity. 相似文献
13.
Ecological restoration, cultural preferences and the negotiation of ‘nativeness’ in Australia 总被引：1，自引：0，他引：1
The paper addresses cultural assumptions about ‘nativeness’ and ‘belonging’ to place as they are implicated in notions of ‘ecological restoration’. Given the centrality of complex notions of ‘indigeneity’ to the issue of what ecological ‘restoration’ means in Australia, this is a rich area for cultural and historical analysis. Case materials illustrate the negotiated and ambiguous nature of Australian ideas about what ‘belongs’ ecologically and culturally across the broad continent of this relatively young post-Settler nation. We seek to foreground these issues through consideration of what ‘restoring’ nature might mean in the context of debates about native plants, the re-introduction of an iconic species of ground dwelling bird, the removal of cane toads that are demonised as highly ‘alien’, and the multiple ways in which the dingo is regarded ambiguously as both native and a ‘pest’ that needs to be controlled and culled. By showing how ‘restoration’ can be understood and mobilised in a variety of ways – in terms of the ‘re-naturing’, ‘re-valuing’ and/or ‘repatriating’ of indigenous species, as well as impassioned rejection of ‘exotics’ – we emphasise the importance of social science for building a well-grounded sense of how environmental management priorities and approaches are informed by a wider set of cultural assumptions. 相似文献
14.
Yuko Aoyama 《Geoforum》2007,38(1):103-113
The rise of cultural industries is in part facilitated by the rise of leisure and entertainment in the advanced industrialized economies. This article explores one such example, taking ‘ethnic’ art, flamenco, and examining the role of consumption in shaping flamenco, both as an art form and as an industry. The global reach of the flamenco industry is assessed by focusing on two major markets, Japan and the United States. It suggests the presence of a geographic paradox in contemporary cultural industries, which, on the one hand, points to the need to retain their place-based identity, and on the other hand, indicates the need for regional cultures to establish links to export markets for their survival. It also shows that contemporary cultural change is not a unilateral process of the global invading the local. Rather, it is a process of consumers interpreting, appropriating, and adopting a cultural commodity in their own terms. 相似文献
15.
Colin McLeay 《GeoJournal》2006,65(1-2):91-102
In the 1990s the artistic autonomy of the territorial subsidiaries of the major record companies increased. Local scale “cultural freedom” did not mitigate the role of national regulation, with the music industry remaining bound by regulation imposed by agencies representing nation-states. National-scale policy rhetoric highlighting the need for “cultural protection” focused attention away from an interest in the economics of popular music, a balance evident in policies of Australian federal governments. In seeking to increase the export potential of locally produced music, Australian governments have come to hold an important place in the political economy of contemporary Australian music. 相似文献
16.
James Derrick Sidaway 《Geoforum》1994,25(4)
This review paper aims to offer a contribution to debates over theory and subject for political geography. Following a brief review of histories of political geography, the main (though not exclusive) focus is on the way that political geography may confront ‘globalization’ and the multiplicity of flows that constitute ‘cyberspaces’. Notwithstanding the consequences of the resulting transformations, the paper argues that a number of traditional subjects of political geography should remain central to the field. In particular, it is argued that a degree of state-centric focus continues to be a valuable critical project. However, such a focus needs to be supplemented by a stress on the dialectical relationships between the state, territory, culture and economy. The approach taken to this in World Systems-Theory is critiqued and some alternatives are explored. In these explorations the paper also argues for an increased engagement and cross-fertilization between political, economic, social and cultural geographies, and with critical work in political science and international relations. 相似文献
17.
European politics and planning have recently been characterized by a shift to economic entrepreneurialism at sub-national scales, and the planned redevelopment of the city-region in pursuit of global competitiveness, which scholars have interpreted in light of political-economic “rescaling” or regionalization and the emergence of a “new regionalism.” Analyzing rescaling largely in terms of shifting economic and institutional structures, however, many accounts underestimate the complexity and enduring power of so-called ‘old’ regionalist politics of culture and identity as backdrop to urban redevelopment planning. In this paper we address how the urban planning process mediates between the seemingly dichotomous tendencies of regionalized entrepreneurialism and cultural regionalism. Using case studies of two Spanish autonomous regions and their major urban centers – the Basque Country or Euskadi (Bilbao) and the Comunitat Valenciana (València) – we review the historical geography of planning in the European region in order to explore how cultural regionalism collides with economic rescaling and entrepreneurialism, in and through the planned landscape. We propose that such emerging and hybrid politics and planning be understood as a form of entrepreneurial regionalism, a culturally inflected form of economic competitiveness characteristic of but not unique to the Spanish region. This specific notion of entrepreneurial regionalism may illuminate how planners mediate global and local imperatives within political discourse and landscapes that materialize them, and allow us to better reconceptualize the relationship between economic globalization, state restructuring, and cultural politics in a new Europe of the Regions. 相似文献
18.
European politics and planning have recently been characterized by a shift to economic entrepreneurialism at sub-national scales, and the planned redevelopment of the city-region in pursuit of global competitiveness, which scholars have interpreted in light of political-economic “rescaling” or regionalization and the emergence of a “new regionalism.” Analyzing rescaling largely in terms of shifting economic and institutional structures, however, many accounts underestimate the complexity and enduring power of so-called ‘old’ regionalist politics of culture and identity as backdrop to urban redevelopment planning. In this paper we address how the urban planning process mediates between the seemingly dichotomous tendencies of regionalized entrepreneurialism and cultural regionalism. Using case studies of two Spanish autonomous regions and their major urban centers – the Basque Country or Euskadi (Bilbao) and the Comunitat Valenciana (València) – we review the historical geography of planning in the European region in order to explore how cultural regionalism collides with economic rescaling and entrepreneurialism, in and through the planned landscape. We propose that such emerging and hybrid politics and planning be understood as a form of entrepreneurial regionalism, a culturally inflected form of economic competitiveness characteristic of but not unique to the Spanish region. This specific notion of entrepreneurial regionalism may illuminate how planners mediate global and local imperatives within political discourse and landscapes that materialize them, and allow us to better reconceptualize the relationship between economic globalization, state restructuring, and cultural politics in a new Europe of the Regions. 相似文献
19.
Domesticating neo-liberalism: Everyday lives and the geographies of post-socialist transformations 总被引：1，自引：0，他引：1
This paper examines the ways in which neo-liberalism is both constructed and made ‘more tolerable’ through everyday practices and livelihoods in post-socialist cities. It argues that existing conceptualisations of neo-liberalism centre too fully on the role of powerful global forces and institutions in constructing marketisation processes, and consequently neglect the ways in which everyday lives are embroiled in the formation of neo-liberal worlds. Through an exploration of the experience of neo-liberalism in the Slovak Republic and drawing upon research with households in one large housing estate in Bratislava, the paper examines the ways in which everyday lives construct neo-liberal possibilities in the attempt to make them ‘more tolerable’. In particular, the paper explores the postponement of the future by some members of the middle-aged generation failing to reap the benefits of economic reform, the role of economic practices ‘outside’ of market-based capitalist relations in constructing engagements with the formal market, and the role of domestic food production in sustaining household networks and social reproduction for some of the most marginal households in the context of low-wage employment and state benefit reductions. 相似文献
20.
Tassilo Herrschel 《GeoJournal》2005,62(1):59-70
‘New regionalism’ has become a buzzword in current debates on regions and regional governance. Much of this discussion revolves around the ‘right’ scale and structure of regional governance, implying changes to the ways in which the conventional main variables institutions, hierarchy and territoriality interact to circumscribe ‘regions’. The main difference between ‘old’ and ‘new’ regionalism is the degree of variability and responsiveness to locational strategies by businesses, i.e. essentially relative regional competitiveness, and thus by implication the question of territoriality and boundedness. Evidence ‘on the ground’ among policy makers, however, suggests that the changes may go further than theoretical arguments with their emphasis on territory and scale (Brenner, 2000, 2003) are suggesting. Much of the difference revolves around the distinction between technocratic, planning focused and firmly institutionalised understandings of territorially fixed regions within a government structure on the one hand, and more purpose driven, flexible, and inherently temporary and variable arrangements outside fixed government structures, whose territoriality is composed of the varying spatial background of the participating actors. Here, regional territoriality is an incidental rather than determining factor.
The cleavage between ‘old’ and ‘new’ regionalism has become particularly obvious in post-socialist eastern Germany, where staid forms of traditional institutionalism and territorial governance had been transferred from ‘west’ to ‘east’. Increasingly, these arrangements appeared inadequate to respond to the vast and spatially widely varying challenges of post-socialist restructuring. The result has been a tentative emergence of new forms of regionalisation in between, and in addition to, the established ‘old regionalist’ approaches. Evidence from eastern Germany suggests that ‘new’ is not necessarily replacing ‘old’ regionalism’ in the wake of a shift in paradigm, but rather that the two coexist, with new forms of regionalisation sitting within established conventional territorial-administrative arrangements. This points to the emergence of a dual track approach to regionalisation, sometimes covering the same territory, more often relating to variably sized areas that overlap. Both forms of regionalisation aim at an internal and external audience, using varying images and employing different sets of actors when dealing with the two main sources/directions of consumption: internal (local) and external (corporate, competitive). By their very nature, however, these processes are varied and differ between places, rooted in particular local-regional constellations of policy-making pressures, actor personalities and established ways of doing things. This paper examines such processes for two regions in eastern Germany, both with distinctly different economic traditions and geographical contexts, aiming to illustrate the multi-layered process of regionalisation and region making. Inevitably, within the scope of this paper, the study cannot cover all possible models and regionalisation approaches across eastern Germany, because they not only differ between places, but also over time. 相似文献