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1.
ABSTRACT. The life and works of Muttusvami Dikshita (1775–1834), a luminary of South Indian Karnatak classical music, abound in spatiocultural symbolisms of integration and harmony. Dikshita'speregrinations symbolize a cultural circuit of Hindu pilgrimage. His studies of North Indian Hindustani music at Varanasi (formerly Benares), and his transplantation of them throughout South India, make him an active agent of cultural diffusion, harmonizing cultural traditions through spatiosymbolic anchors. The religious expression of his musical genius, his songs, and his melodies contributed to linking linguistically and politically disparate regions of eighteenth‐ and nineteenth‐century India. The works of Dikshita affirm India'scultural continuity and underscore its enduring cultural empathies and similarities. 相似文献
2.
网格GIS及其在数字油田中的应用探讨 总被引：5，自引：0，他引：5
数字油田是解决当前油田智能化管理问题的最好途径。该文分析了当前油田建设中所面临的问题,结合油田在勘探开发中的实际需要,特别就当前数字油田建设中所面临的共性问题,在分析现有油田技术及发展需求的基础上,指出了基于中间件的分布式网格GIS技术是解决当前数字油田领域中所存在的问题的最佳方式,并讨论了其实现过程。 相似文献
3.
普陀山作为观音道场从五代时期兴起后,对江南民间产生了极为重要的影响。明清时期,观音香汛成为江南香汛的主流。不同尺度的香汛空间形成了明显的互补结构。其中,层级最高的朝香圣地是普陀山和杭州的天竺山,香汛范围可覆盖整个江南,影响广及全国。其次,是一些区域性的名山,如苏州支硎山、扬州功德山,其影响可及于数府。再次就是各地的一些小范围的观音道场。这些不同空间尺度的佛教圣地,形成了一个立体的层级结构。普陀山的香汛空间主要受区位、交通制约。天竺香汛受到、却不完全受空间距离影响,宁、绍的天竺香汛远不如嘉、湖,甚至不及苏、松,其中有着基于历史文化传统的地缘观念的影响。 相似文献
4.
Terry R Slater 《Area》2004,36(3):245-253
The geography of religion can be explored from a number of different perspectives. This paper takes an autobiographical approach to explore the numinous experience of God from the point of view of a practising Christian geographer. Such geographical aspects of faith experience remain an under-researched area. The context for the exploration is an academic conference in the city of Bologna, which became, in turn, an experience of religious tourism, a pilgrimage and an unexpected encounter with God. It is contextualized in terms of debates on identity, the nature of pilgrimage, memorials of death, and time–space continuums and fractures. 相似文献
5.
CAROLYN V. PROROK 《Geographical review》2003,93(3):283-307
ABSTRACT. Transplanting pilgrimage traditions, or the process of remaking the collective self in sacred places, requires new sacred places as worthy destinations. As people migrate from the lands where sacred places developed to those where such places may become only a distant memory, many communities attempt to recover their pilgrimage tradition by co‐opting sacred sites of host communities, maintaining links to their homeland, or re‐creating sacred sites in the lands of resettlement through replication, (re)recognition, creating movable rituals, celebrating sites of sacred embodiment, and ritual historicizing. Examples taken primarily from Catholic and Hindu experiences in the Western Hemisphere illustrate this preliminary typology. Transplanting pilgrimage traditions may be viewed as anchoring our individual, existential quests to fleeting ships of “collective selfhood.” 相似文献
6.
Stuart A. Hall 《Geophysical Journal International》1979,58(3):583-592
Summary. Estimates of the secular variation in the Red Sea over the period 1959 to 1972 have been obtained from an analysis of marine magnetic data. A total of 318 crossings of ships' tracks were used to determine the mean secular variation for the intervals 1959–72, 1959–65 and 1965–72. The mean secular variation 1959–72 shows a marked northward increase from approximately -10 nT/yr at 13°N to +27 nT/yr at 24°N. North of this, the data suggest a small decrease to + 25 nT/yr at 27° N. These values are consistent with the secular variation recorded at the nearby geomagnetic observatory at Helwan, Egypt, but less than those predicted by the 1965 IGRF for the same period.
Comparison of the mean secular variations for 1959–65 and 1965–72 yields a rough estimate of the secular acceleration of - 1.5 nT yr−2 . Analysis of the cross-over information, corrected for the latitude dependence of the secular variation, shows a regular decrease in the secular change over the period 1959–72 at all latitudes of about -1 nTyr−2 . This secular acceleration makes a substantial contribution to the overall secular change in the Red Sea and as such must be included in the correction of magnetic data covering more than a few years. 相似文献
Comparison of the mean secular variations for 1959–65 and 1965–72 yields a rough estimate of the secular acceleration of - 1.5 nT yr
7.
Christina Ballico 《The Australian geographer》2017,48(3):349-363
Geographically isolated within its own State as well as from the rest of the country, and with the highest percentage of metropolitan primacy of all Australian States, Perth is a city somewhat uncomfortable with its creative and cultural identity. The city is physically peripheral to networks in the arts and creative industries that operate at the national level. And, symbolically, many in Perth’s cultural sector feel a sense of isolation. Yet, in certain cultural sectors, such as music, Perth demonstrably punches above its weight, consistently generating high-quality cultural exports. This paper unpicks this curious juxtaposition. It examines the influence of Perth—as a geographical location and a site of creative inspiration—on the music created and disseminated by local contemporary musicians who write and perform their own indie pop/rock music. I discuss the nuanced relationship between creative clustering and place, drawing on theories regarding the relationship between music and place, the notion of the music scenes and creativity and creative practices. I explore how living in Perth, a geographically isolated city, with a highly concentrated population and associated music sector, influences creative expressions, desires and inspirations, for a select group of local indie pop/rock musicians who achieved national and international notoriety with their music in the late 1990s and 2000s. Navigating isolation but nevertheless energised by strong social connections and scene participation, Perth musicians catalysed creativity in ways that contribute to evolving debates on the links between place, creativity and music. 相似文献
8.
Tariq Jazeel 《Area》2005,37(3):233-241
This paper contributes to recent geographical engagements with sound and music by exploring the benefits of a geographical approach conversant with musicological and ethnomusicological tools and agendas within a specific political and empirical context: British-Asian cultural politics and contemporary dance music. Doing so, it suggests, sheds new light on an existing body of anthropological and cultural studies literature that critically highlights the commodification of exotica in this type of dance music. The paper shows how analysing the spatial politics of British-Asian musicality evokes the dynamic complexities around identity, belonging and the geographies of British popular culture and British-ness generated through this mode of cultural production. 相似文献
9.
Annie Souriau 《Geophysical Journal International》1986,86(2):455-465
Summary. The equation governing the polar motion shows that the polar secular drift and the Chandler wobble amplitude are related to each other. In particular, a drift of the mean pole position comes out as a consequence of the maintenance of the Chandler wobble by possible step perturbations of the Earth's inertia tensor.
The minimum excitation functions necessary to explain the Chandler wobble amplitude variations for the period 1901–84 are derived from the Chandler term, with the hypothesis that the excitations follow a uniform random distribution in time. It is shown that they have the statistical properties of the steps of a two-dimensional random walk. These functions are then used to derive, from a statistical simulation, a lower limit of the secular drift which may result from the excitation of the Chandler wobble.
The drift generated by the random walk is of the same order of magnitude as the observed secular drift for the period 1901–84, but their time dependence is different. This indicates that the observed secular drift cannot be explained as the consequence of an excitation of the Chandler wobble by random steps of the Earth's inertia tensor. However, the possible contribution of the Chandler wobble excitation to the polar drift has to be taken into account when other mechanisms, such as lithospheric rebound related to deglaciation, are proposed. 相似文献
The minimum excitation functions necessary to explain the Chandler wobble amplitude variations for the period 1901–84 are derived from the Chandler term, with the hypothesis that the excitations follow a uniform random distribution in time. It is shown that they have the statistical properties of the steps of a two-dimensional random walk. These functions are then used to derive, from a statistical simulation, a lower limit of the secular drift which may result from the excitation of the Chandler wobble.
The drift generated by the random walk is of the same order of magnitude as the observed secular drift for the period 1901–84, but their time dependence is different. This indicates that the observed secular drift cannot be explained as the consequence of an excitation of the Chandler wobble by random steps of the Earth's inertia tensor. However, the possible contribution of the Chandler wobble excitation to the polar drift has to be taken into account when other mechanisms, such as lithospheric rebound related to deglaciation, are proposed. 相似文献
10.
《The Journal of geography》2012,111(6):261-270
Abstract As a relevant aspect of contemporary culture, music is a significant part of the lifestyles of students at all levels of education. Thus, use of various genres of American music is framed in the context of the National Standards five themes of geography—location, movement, human-environment interaction, region, and place. Several classroom projects appropriate for grades 7–12 are identified, including data collection, map preparation, and development of a research paper. Teaching resources consist of references used in text, music geography bibliography in addition to references, data sources, useful music-related websites, and list of research paper topics. 相似文献
11.
Archana Bhattacharyya 《Geophysical Journal International》1998,132(1):181-190
A region of enhanced conductivity at the base of the mantle is modelled by an infinitesimally thin sheet of uniform effective conductance adjacent to the core–mantle boundary. Currents induced in this sheet by the temporally varying magnetic field produced by the geodynamo give rise to a discontinuity in the horizontal components of the poloidal magnetic field on crossing the sheet, while the radial component is continuous across the sheet. Treating the rest of the mantle as an insulator, the horizontal components of the poloidal magnetic field and their secular variation at the top of the core are determined from geomagnetic field, secular variation and secular acceleration models. It is seen that for an assumed effective conductance of the sheet of 108 S, which may be not unrealistic, the changes produced in the horizontal components of the poloidal field at the top of the core are usually ≤10 per cent, but corrections to the secular variation in these components at the top of the core are typically 40 per cent, which is greater than the differences that exist between different secular variation models for the same epoch. Given the assumption that all the conductivity of the mantle is concentrated into a thin shell, the present method is not restricted to a weakly conducting mantle. Results obtained are compared with perturbation solutions. 相似文献
12.
Eoin O'Mahony 《Geographical review》2019,109(1):3-26
Postsecular geographies seek to examine how place is linked with identity and how religious identities in turn can be accommodated in public space. Postsecular practices in urban contexts have been researched extensively, but they do not always fully engage with a relational approach to place‐making. This paper argues that through the place‐making practices seen at Virgin Mary statues in Dublin city, Ireland, a relational approach to examining postsecular practices and representations provides a more productive way to understand how the secular and the religious coexist in cities. The paper uses archival and contemporary data gathered from a sample of Marian statues in Dublin city to locate the relational geographies of the religious and the secular. By focussing on the ways that the statues remain uncontested within a changing urban landscape, the paper re‐examines the political significance of religious place‐making practices. It concludes that if geographies of religion in the postsecular city are to have a broader relevance to geography, they need a relational approach to place‐making. 相似文献
13.
“噪”起来：广州音乐现场的文化地理研究 总被引：4，自引：1，他引：3
将广州的音乐现场看作一个承载制造“噪音”的场所,以6个现场音乐酒吧为具体案例,通过定性分析的方法探讨音乐现场如何连结不同人和不同的地方,以及如何被建构成一个“动态”的空间和“越轨”的地方。研究结果表明：音乐现场作为一种动态的物质文化空间,由经营者、组织者、音乐人和乐迷通过社会实践共同建构而成,成为所有音乐演出参与者之间的关系及其与不同地理尺度之间关系的节点;音乐现场作为一个“越轨”的地方,将音乐现场的“局内人”和“局外人”区分。上述结论回应和丰富了现有音乐地理研究的内容和成果,并对中国超越“看的方式”进行文化地理研究提供了新的切入点。 相似文献
14.
Ben Gallan 《The Australian geographer》2012,43(1):35-50
A complex relationship exists between music scenes and the infrastructure in which they are located. This article focuses on the rise and fall of the Oxford Tavern, a live music venue in the Australian city of Wollongong. Pivotal in this venue was the role that booking agents played in developing what they perceived as an inclusive, self-sufficient and vibrant music scene—by generating and then consistently implementing a strict philosophy on what music and which bands performed there. Bookings were not based on reputation, and potentially better known or more lucrative bands were regularly denied access in favour of ‘local’ bands socially connected to the music scene. These bands were authenticated as ‘local’ because of social and geographical proximity—not because of any innate musicological distinctiveness connected to Wollongong. This social geographical emphasis on ‘local’ and ‘original’ music transcended musical genre and subcultural style. Although in one sense ‘exclusionary’, gatekeeping also fostered bonds of community and belonging, creating a perceived haven for diverse local cultures within a monopolised urban nightscape. Such gatekeeping practices—explored here through interviews with booking agents and music scene participants—were pivotal to the longevity of the music venue and scene. Only when booking agents with a strong ‘local’ ethos were removed from the venue did it struggle to survive, and ultimately collapse. 相似文献
15.
P. L. McFadden 《Geophysical Journal International》1980,61(1):183-192
Summary. It is shown that the interval estimate for K given by Cox (1969) is inappropriate as a test for determining whether secular variation has been averaged out in a particular study. The appropriate test is presented in two formulations, one for use with χ2 tables and the other for use with F tables.
The well known secular variation models are investigated and it is shown that Model A due to Irving & Ward (1964) is, statistically, the most efficient predictor. Finally, for the 83 palaeomagnetic results selected by Brock (1971), it is shown that the most efficient predictor for the secular variation K is k '= 18.1 (1 + 3 sin2 λ), where λ is the palaeolatitude, and the uncertainty in this predicted value is discussed. 相似文献
The well known secular variation models are investigated and it is shown that Model A due to Irving & Ward (1964) is, statistically, the most efficient predictor. Finally, for the 83 palaeomagnetic results selected by Brock (1971), it is shown that the most efficient predictor for the secular variation K is k '= 18.1 (1 + 3 sin
16.
Anna Mansson McGinty 《The Professional geographer》2013,65(3):358-369
This article explores various ways of how to challenge the “otherness” of Islam and Muslims when teaching geography of Islam. It suggests a critical project of “teaching against culture,” which challenges essentializing notions of Islam as a monolith, and rather demonstrates the complexity of Muslim geographies and “lived” Islam. Furthermore, it implies examining the various identity categories and binaries such as secular–religious and West–East that come about in the classroom itself in the secular academic context of an urban state university. As such, the article engages in questions of significance to a wider set of courses on social and cultural geographies, geography of religion, and postcolonial geographies 相似文献
17.
《The Journal of geography》2012,111(2):41-47
Abstract Ethnic music is a strong indicator of cultural identity. Central and Eastern European ethnic groups have historically been associated with folk music traditions, such as polka, and radio broadcasting patterns in the United States reflect continued demand for and support of this music. Data from the 2000 Census was used to generate maps of the county-level ancestral patterns from European regions traditionally associated with polka music and was compared with the locations of radio stations that play polka. This article demonstrates straightforward quantitative approaches to evaluating these patterns of musical preferences. This study serves as an example for ways in which mapping and GIS can be used as tools for teaching and learning topics related to cultural geography. 相似文献
18.
The remanent magnetic properties of an 88 m bore core are unrelated to either the dolomite content or the sedimentological textures and are considered to be carried primarily by biogenetic magnetite that was cemented in during very early diagenesis. Individual readings represent time intervals of c . 720 ± 32 yr and, after 40 mT partial demagnetization, they provide an almost continuous record of averaged geomagnetic secular variations over a period of some 3.17 Myr. The magnitude of directional secular variation is twice that of the present day, despite being smoothed, and the secular variations appear to grade into polarity transitions, suggesting no difference in their mechanisms. The rates of change in direction between subjacent levels in the core have a log-normal distribution which extends smoothly beyond 90° and has a median value of 13°/700 yr, the same as for unsmoothed European secular variation during the last 2000 yr. The intensity of remanence, after 40 mT partial demagnetization, appears to provide a reasonable approximation to geomagnetic field intensity. This tends to be weaker when the direction is moving faster, reflecting averaging, but is unrelated to the distance of the vector from the mean direction; that is, it depends on the rate of change and not on the virtual pole latitude. The virtual poles, after correction for tectonic rotations about horizontal and vertical axes, have latitudes that form a strongly platykurtic Fisherian distribution, while their longitudes have a circular distribution on which are superimposed two Gaussian peaks, 180° apart. This bore core thus provides detailed information of smoothed geomagnetic secular variation in the Lower Cretaceous (127 ± 3 Ma) which shows clear regularities in behaviour, some related to changes in the Earth's orbital parameters. 相似文献
19.
G. M. Blake 《Geophysical Journal International》1977,51(3):555-559
The fossil record of the variation of the solar day and the synodic month with geological time is examined for evidence of the steady contraction of the Earth postulated by Lyttleton to explain a discrepancy between the apparent secular accelerations of the Sun and Moon. Data for the Phanerozoic and the Precambrian agree in showing that a change in the Earth's moment of inertia as large as that suggested by Lyttleton is only consistent with the fossil record if the secular change in the gravitational constant Ġ/ G ≥+ 4 × 10–11 /yr. A variation of G of this magnitude appears to be ruled out by a recent analysis of lunar occultation observations utilizing Atomic Time. 相似文献
20.
在旅游业发展影响下,丽江古城传统纳西古乐的主体地位迅速地被现代民谣音乐所取代。音乐是地方文化的重要组成部分,地方音乐的变化折射出地方文化的整体变迁。本文利用观察法、文本分析法对丽江古城的地方音乐形式、表达内容及展演场所进行调查,采用访谈法对音乐表演者、经营者与游客进行了深入的采访。研究发现：在旅游影响下,原本作为本地居民精神伴侣、融入在地方社会生活中的传统古乐转变为服务于游客的各类商业演艺活动,在场所和游客认同方面表现出“不得其所”的特征;而以现代民谣音乐为代表的流行音乐成为丽江古城的主流音乐形式,在丽江古城中“安适其位”。传统古乐建构了丽江古城的独特感,激发了游客的异乡感,现代民谣音乐更加渲染了丽江古城的“小资情调”,两种音乐均在游客的情感建构中起到了重要作用。研究旨在丰富旅游地文化变迁的研究视角,反思旅游与地方传统文化的关系,亦是对音乐与地方人地关系研究成果的有益拓展与补充。 相似文献