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In recent years, the high incidence of harmful health effects through inhalation of airborne asbestos from amphibole-bearing rock mélanges has been thoroughly documented. Here, we present a field-based, multi-scale geological approach aimed at illustrating the occurrence of amphibole fibrous mineralisation in an ophiolitic suite from the Ligurian Alps (Italy) and discussing the implication on in situ determination of the asbestos hazard. The rock mélange is composed of plurimetre-sized blocks of different lithotypes (metagabbro, serpentinite, chloritoschist) juxtaposed by the meaning of tectonic structures. The geological-structural survey revealed that the fibrous mineralisation is localised in specific structural sites of the rock volume, including veins and schistosity. Both micro-chemical and crystal structure analyses on selected fibrous samples revealed that actinolite fibres grow in veins within the metagabbro and in chloritoschists, while fibrous tremolite occurs in serpentinite schistosity. The morphological features of these amphibole fibres have been analysed in TEM images and used for classifying them as “asbestiform” or “non-asbestiform”. The results show that the asbestos hazard determination is not unequivocally identified when different procedures for asbestos fibre identification and classification are applied. This may have impact on normatives and regulations in defining environmental hazards due to asbestos occurrence.  相似文献   
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In this paper, we introduce a new method of geophysical data interpretation based on simultaneous analysis of images and sounds. The final objective is to expand the interpretation workflow through multimodal (visual–audio) perception of the same information. We show how seismic data can be effectively converted into standard formats commonly used in digital music. This conversion of geophysical data into the musical domain can be done by applying appropriate time–frequency transforms. Using real data, we demonstrate that the Stockwell transform provides a very accurate and reliable conversion. Once converted into musical files, geophysical datasets can be played and interpreted by using modern computer music tools, such as sequencers. This approach is complementary and not substitutive of interpretation methods based on imaging. It can be applied not only to seismic data but also to well logs and any type of geophysical time/depth series. To show the practical implications of our integrated visual–audio method of interpretation, we discuss an application to a real seismic dataset in correspondence of an important hydrocarbon discovery.  相似文献   
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