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On April 17, 1975, Phnom Penh, the capital of Cambodia, fell to the armed forces of the Communist Party of Kampuchea (CPK). Cambodia, however, was not primed for revolution. This is significant in that it contributed to specific postconflict policies and programs initiated by the CPK, including the promotion of geographic education and the use of propaganda photographs. In this article we examine six photographs produced during the Khmer Rouge era. Our main thesis is that when viewing these photographs, we are witnessing the photographic production of a nationalist landscape. As geographers have argued, photographs are inauthentic from the standpoint of “truthful” representations. However, the photographs produced by the CPK are authentic simulacra in their “truthful” representation of how the CPK envisioned both the revolution and subsequent administration of Democratic Kampuchea. In so doing, our research is positioned within a longer tradition of cultural‐political geography that has examined the use of landscape photographs as political instruments used in nation‐building.  相似文献   
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