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It was known that deep within numbers and binary data from simulations of geophysical convective flows resided various patterns. Two models of convective fluid flows were being considered. One was a model of two-dimensional (768 × 256) air convection with finite Prandtl number of one and Rayleigh number of 108−1010, and another was a model of three-dimensional (up to 120 × 120 × 90) mantle convection with infinite Prandtl number and Rayleigh number of 106−108. Clearly, phenomena existed which superceded each individual dimensionless computer model to provide a piece of information regarding actual fluid flows. The problem was how to find, prove, and communicate these patterns and phenomena for convection simulations with gigabytes of data. In a search for such an analytical and communicative tool, the alternative of visualization was considered. The need for visualization was recognized and discussed. Then, utilizing both two- and three-dimensional models of high Rayleigh number convection, basic techniques of style and content were developed. Applications of the visualization techniques were designed utilizing IBM’s Data Explorer in order to create communicative images and movies, and after the applications, the problems of data storage and transfer became apparent. Throughout the process though, it became clear how important the language of vision actually could be in the geophysics community. In a field in which words such as plumes and internal waves have in ways replaced mathematics as the basic language for science, there is a need for another resource, another language-the visualization of convective fluid flows. 相似文献
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This paper documents a new method for describing channel-related sedimentary deposits based on formal language theory. Using this method an analogue model of a sedimentary deposit can be encoded as a grammar. A program, called a parser, has been developed which can generate stochastic maps of these sedimentary deposits based on information in a specified grammar. The maps of sedimentary deposits generated by the parser have the same type, spatial arrangement, shape and size distribution as the analogue model. The successful generation of depositional maps represents a crucial step in the ongoing development of a new technique designed to generate 3D static geological models of sedimentary successions. The maps can be conditioned to match sparse hard data in the form of channel segments interpreted from seismic horizon maps. 相似文献
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基于R语言的NetCDF文件分析和可视化应用 总被引：3，自引：0，他引：3
气象领域目前有多种广泛应用的气象数据分析和可视化工具集,包括GrADS、NCL、CDO和IDL等。R语言是一种由统计学家开发的统计计算和绘图的语言和环境,具有大数据处理的能力。R语言数量众多的扩展包为R语言用于海量气象数据分析和可视化提供了强有力的支持。基于R语言对NCEP发布的数据集进行了统计分析和可视化,展示了R语言在气象数据处理和可视化方面的应用。结合R语言提供的贝叶斯统计扩展包和高性能并行计算扩展包探讨了R语言在气象数据处理和可视化应用方面的广泛前景。 相似文献
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Over the past 20 years, significant progress has been made in virtual plant modeling corresponding to the rapid advances in information technology. Virtual plant research has broad applications in agronomy, forestry, ecology and remote sensing. As many biological processes are driven by light, it is the key for virtual plant to estimate the light absorbed by each organ. This paper presents the radiance equation suitable for calculating sun and sky light intercepted by plant organs based on the principles of the interaction between light and plant canopy firstly; analyzes the process principles of plant canopy primary lighting based on ray casting and projection secondly; describes the multiple scattering of plant lighting based on Monte Carlo ray tracing method and on the radiosity method thirdly; and confirms the research with 3D visualization based on Virtual Reality Modeling Language （VRML） finally. The research is the primary work of digital agriculture, and important for monitoring and estimating corn growth in Northeast China. 相似文献
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Giorgio Hadi Curti 《GeoJournal》2009,74(3):201-208
Ostensibly, subtitles in films serve as linguistic approximations of meaning. Expectedly then, much of the debate surrounding
subtitling has been concerned with representational accuracy, fidelity and authenticity. In this article I argue that by encountering
subtitles as affective bodily expressions, as opposed to approximate representations of pre-existent meanings or intentions,
filmic experiences may be(come) transformed and differently transformational. As a result, meaning and accuracy in subtitles
as superimposed signifiers or static representations become secondary to subtitles as spatially affective- and expressive-movements
intimately part of filmic scapes. The creative use of subtitling in Bekmambetov’s Russian language film Night Watch (Nochnoy dozor; 2006 [2004]) is discussed.
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| Giorgio Hadi CurtiEmail: |
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