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论唐代诗文中的大鹏形象
引用本文:张婧婧.论唐代诗文中的大鹏形象[J].广东海洋大学学报,2005,25(5):72-75.
作者姓名:张婧婧
作者单位:华东师范大学中文系,上海,200062
摘    要:唐代人喜欢写鹏,《全唐文》与《全唐诗》中留下了大量与“鹏”有关记载。鹏的形象内涵在唐代的不同阶段是不尽相同的,它与国运联系紧密。初唐,鹏的形象反映了这一时期熙熙攘攘、奋发向上的社会风尚;盛唐,鹏的形象反映了意气昂扬、绚烂多彩;中唐,则回归到对《逍遥游》主旨的阐发,反映出遁世的态度;晚唐,出现了以《庄子》中“蝴蝶”“螳螂”等朝不保夕的小虫为描写中心的文章,表现出文人对社会现实的失望与对李唐王朝的离心。

关 键 词:唐代诗文  《庄子·逍遥游》  
文章编号:1007-7995(2005)05-0072-04
修稿时间:2004年7月21日

A Study on Rocs in Quan-Tang-Wen and Quan-Tang-Shi
ZHANG Jing-jing.A Study on Rocs in Quan-Tang-Wen and Quan-Tang-Shi[J].Journal of Zhanjiang Ocean University,2005,25(5):72-75.
Authors:ZHANG Jing-jing
Abstract:The images and connotation of the rocs,which reflected the conditions of the society,were quite dif- ferent in the different periods of the Tang Dynasty.In the Early Tang,the image of the roc represented the zealous attitude of going into the society.The roc's image in the High Tang was high-spirited and vigorous, which expressed the prosperity of the age.The application of the roc returned to elucidate the major idea of the Enjoyment in Untroubled Ease during the period of the Middle Tang.The application stayed in the stereotyped style in the Late Tang.
Keywords:Poetry and article of the Tang Dynasty  (Enjoyment in untroubled ease)  the Roc
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