| 芥川龙之介《水虎》三元比较研究 |
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| 引用本文： | 毛娟.芥川龙之介《水虎》三元比较研究[J].广东海洋大学学报,2006,26(5):105-108. |
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| 作者姓名： | 毛娟 |
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| 作者单位： | 武汉大学文学院,湖北,武汉,430072 |
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| 摘 要： | 芥川龙之介的《水虎》与果戈理的《狂人日记》、鲁迅的《狂人日记》均采用了现实主义与象征主义相结合的创作方法,一针见血地揭露了社会制度的黑暗与腐朽。但他们在创作方法上使用的象征主义和对社会现实揭露的广度与深度不完全相同,主人公的思想高度更是各不相同。作品创作的背景、历史条件,作者的思想高度、性格特点和创作风格是造成这些差别的根源。
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| 关 键 词： | 日本小说 芥川龙之介 《水虎》 果戈理 鲁迅 《狂人日记》 |
| 文章编号： | 1007-7995(2006)05-0105-04 |
| 修稿时间： | 2006年2月27日 |
A Triple Comparative Study of Akuragawa Ryunosuke's Tiger in Water |
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| Mao Juan.A Triple Comparative Study of Akuragawa Ryunosuke''''s Tiger in Water[J].Journal of Zhanjiang Ocean University,2006,26(5):105-108. |
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| Authors: | Mao Juan |
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| Abstract: | There are some similarities in Akutagawa Ryunosuke's Tiger in Water,Gogol's The Note of a Madman and Lu Xun's The Diary of a Madman.They all use the same creative method as combines realism and symbolism,all expose the darkness and corruption of social constitutions acutely.Nevertheless,symbolism they adopted in their creation,the extension and depths of social reality they proclaimed,and thinking clues of protagonists are not just the same.The recourses to incur those differences are the social contexts,conditions of creation,the thinking clues,characteristics and styles of the authors. |
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| Keywords: | Japanese novelette Akuragawa Ryunosuke Googol Lu Xun Tiger in Water |
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