对文化微空间的感知与认同研究——以广州太古汇方所文化书店为例   总被引：6，自引：2，他引：4  

谢晓如  封丹  朱竑 《地理学报》2014,69(2):184-198

自20 世纪70 年代以来,经济文化全球化成为微空间生产与重构的重要动力。而随着生产方式和生活方式的改变,以符号和审美消费为主的后现代消费社会范式的崛起,促使文化成为行就消费空间的主要手段之一。广州方所文化书店就是在这样的背景下催生的新生事物。贴上文化标签后的方所文化书店,一反实体书店在现代消费社会中逐步被边缘化的窘境,出现伊始就受到各界的广泛关注。研究剖析了方所文化书店这类实体书店文化身份的展演（performance）,并对消费者的感知与认同进行了解读。结果显示,通过经营者对文化手段的操纵,方所文化书店被形塑成一个世界文化的微观缩影,同时也成为一个具有尊贵与典雅特质的文化新空间。而消费者通过对实体微空间的环境、商品文化及人群品质的感知,也认同了这种新的文化消费空间。实体书店在标签化的文化表征与文化变迁中完成自我救赎,同时也被消费者重新认同。  相似文献   

基于人工神经元网络的空间知识表达与推理方法研究   总被引：1，自引：0，他引：1  

赵波  边馥苓  潘蜀健  陈琳  陈德豪 《测绘工程》2004,13(3):5-9

分析了智能决策支持系统的结构,通过比较指出了基于符号的知识表达与推理方法的不足,阐述了基于神经网络的知识表达与推理的方法,并认为神经网络方法可作为智能空间决策支持系统中符号方法的替代或补充,并通过实例验证了基于神经网络的不确定空间知识表达与推理的有效性.  相似文献   

Dynamic responses under the excitation of pulse sequences   总被引：6，自引：3，他引：3  

戴君武  Mai Tong  George C.Lee  齐霄斋  白文婷 《地震工程与工程振动(英文版)》2004,3(2):157-169

This paper studies the dynamic responses of SDOF system under pulse-dominant excitations. The purpose of the study is to prepare for scrutiny of some near-field pulse-dominant ground motions and their potential to cause structural damage. Extending the single pulse dynamics, we consider the effect of pulse sequences. This kind of excitation was particularly obvious in some of previous earthquakes such as Northridge (1994) and Chi-Chi (1995). Based on the duration,peak and rise and decay era of the main pulse as well as its relationship with the predecessor and successor pulses, we propose a classification for the pulse sequences. Consequent studies have been carried out for acceleration, velocity and displacement response spectra of the main pulse with either a predecessor or a successor pulse. The analysis also includes general response behaviors in different fundamental period segments and special aspects of response at certain points (e.g., the corresponding peak points).  相似文献   

Analysis of implicit HHT‐α integration algorithm for real‐time hybrid simulation     

Cheng Chen  James M. Ricles 《地震工程与结构动力学》2012,41(5):1021-1041

Real‐time hybrid simulation is a viable experiment technique to evaluate the performance of structures equipped with rate‐dependent seismic devices when subject to dynamic loading. The integration algorithm used to solve the equations of motion has to be stable and accurate to achieve a successful real‐time hybrid simulation. The implicit HHT α‐algorithm is a popular integration algorithm for conducting structural dynamic time history analysis because of its desirable properties of unconditional stability for linear elastic structures and controllable numerical damping for high frequencies. The implicit form of the algorithm, however, requires iterations for nonlinear structures, which is undesirable for real‐time hybrid simulation. Consequently, the HHT α‐algorithm has been implemented for real‐time hybrid simulation using a fixed number of substep iterations. The resulting HHT α‐algorithm with a fixed number of substep iterations is believed to be unconditionally stable for linear elastic structures, but research on its stability and accuracy for nonlinear structures is quite limited. In this paper, a discrete transfer function approach is utilized to analyze the HHT α‐algorithm with a fixed number of substep iterations. The algorithm is shown to be unconditionally stable for linear elastic structures, but only conditionally stable for nonlinear softening or hardening structures. The equivalent damping of the algorithm is shown to be almost the same as that of the original HHT α‐algorithm, while the period elongation varies depending on the structural nonlinearity and the size of the integration time‐step. A modified form of the algorithm is proposed to improve its stability for use in nonlinear structures. The stability of the modified algorithm is demonstrated to be enhanced and have an accuracy that is comparable to that of the existing HHT α‐algorithm with a fixed number of substep iterations. Both numerical and real‐time hybrid simulations are conducted to verify the modified algorithm. The experimental results demonstrate the effectiveness of the modified algorithm for real‐time testing. Copyright © 2011 John Wiley & Sons, Ltd.  相似文献   

型钢混凝土剪力墙抗震性能影响参数研究     

白晓红  楚留声 《地震工程与工程振动》2012,32(3):73-78

型钢混凝土剪力墙是一种广泛应用于高层混合结构中的剪力墙形式。本文采用通用有限元程序ADINA,以边缘构件含钢率为主要参数,对不同剪跨比的几组剪力墙承载力和变形能力进行了分析,并与考虑了剪力墙混凝土等级、轴压比、配筋率和边缘约束指标等参数影响的剪力墙性能进行了比较研究。结果表明,在高层结构中采用较高强度的混凝土是有利的,但剪力墙的轴压比需要严格限制,且墙体配筋率并不是提高其抗震性能的有效手段。在高层混合结构剪力墙中,通过边缘构件设置型钢可有效增加墙体延性,且边缘约束构件的约束指标可取0.32左右。  相似文献   

风光发电系统在无人值守地震台站的设计     

曲利  董晓娜  胡旭辉  李永红  蔡伟光 《地震地磁观测与研究》2012,33(3):276-279

风光互补发电技术在边防、通信、公路等已得到广泛应用,能否将这一绿色、清洁、可再生能源应用于地震无人值守台站,山东省在龙口地震台已做先期试点,通过一年试运行,风光互补发电系统能够满足地震无人值守台站的工作要求。  相似文献   

基于谱修正方法的非高斯风场模拟   总被引：1，自引：0，他引：1  

孙芳锦  张爱社 《地震学刊》2012,(2):187-190

为克服基于H erm ite谱修正方法的缺点,减少该方法中计算H erm ite多项式系数所需耗费的大量机时,提出了一种模拟非高斯风压场的新方法,采用非高斯累积分布函数（CDF）映射技术来代替基于H erm ite的概率密度函数（PDF）修正。选择任意边缘PDF模型作为概率目标模型,采用目标功率谱密度（PSD）作为样本函数,通过迭代修正该样本函数,使其收敛于目标概率密度函数和目标功率谱密度。将该方法应用于实际结构的非高斯风场模拟,模拟结果与目标谱符合良好,表明本文方法模拟非高斯风场具有较高的精确度和计算效率。  相似文献   

微压流化式复合生物反应器的同步脱氮     

刘淼  陈睿阳  李广柱  郎贵林 《吉林大学学报(地球科学版)》2012,42(3):832-837

通过对曝气系统的调节,微压流化式复合生物反应器（MP-FHBR）内可以实现好氧区和缺氧区共存,利用这一特点和MP-FHBR中同时存在的活性污泥﹑悬浮生物膜复合生物体系,进行了同步脱氮的试验研究。结果表明,MP-FHBR在好氧-缺氧条件下,实现了同步脱氮过程,TN和COD的平均去除率分别达到77.5%和98.3%。降低DO质量浓度使反应器内形成完全缺氧环境,对MP-FHBR同步脱氮效果没有显著影响,但会降低系统去除COD的效果;而提高DO质量浓度使反应器内形成完全好氧环境,MP-FHBR同步脱氮效果显著下降。在一定范围内提高进水COD/TN有利于提高MP-FHBR同步脱氮效果,COD/TN 由2升高到10,TN平均去除率由58.4%提高到78.8%,而继续提高COD/TN对系统同步脱氮效果的影响并不明显。在反应器允许的条件下,提高污泥质量浓度(MLSS)有利于提高系统反硝化脱氮效果,TN去除率随MLSS的增加而提高。  相似文献   

Cardboard monuments: City, language and 'nation' in contemporary Telugu cinema   总被引：1，自引：1，他引：0  

S. V. Srinivas 《Singapore journal of tropical geography》2008,29(1):87-100

This paper looks at how the city of Hyderabad, the capital of the south Indian state of Andhra Pradesh and production centre of the Telugu film industry, has been represented in recent popular cinema. It outlines the history of a new mode of representing the city in Telugu cinema and argues that its significance lies in the tendency to delocalize the city. Criminalization of the city's older inhabitants, who are marked by either religion (Islam) or their 'non-standard' dialect of Telugu, often accompanies this move. In the process, any claims that they might have on the city are delegitimized. Okkadu, a major commercial hit, restaged the country versus city dichotomy and the antagonisms complicated by cultural and political tensions between the three constituent regions of Andhra Pradesh. This film follows the late 1990s trend in the film industry to recreate entire cityscapes within the studio, ensuring that location shooting in busy city streets and neighbourhoods merely returns us to the grandeur of lavish and 'realistic' studio sets. It reconstructs Hyderabad's most recognizable monument, the 400-year-old Charminar, in addition to its obviously imaginary residential neighbourhood. This paper looks at how and why the city of Hyderabad, especially its older parts, for which Charminar is a metonym, is rendered into a fantasy space in the film.  相似文献   

Placing of photos on the internet: Critical analysis of biases on the depictions of France and Afghanistan on FLICKR     

《Geoforum》2017

The Internet and the representation of space therein are almost omnipresent in society and everyday life. Peer-produced geographic data is gaining a particular importance through increasingly available digital tools and techniques that shape the perception of space in the internet, such as flickr, OpenStreetMap or Wikipedia. However, few studies focused on how space is represented, and by whom it is described. We hypothesize that the alleged opening up of geographic information and the assumed benefits for every individual and society through the occurrence of ‘easy-to-use-mapping-tools’ was premature. To explore these assumptions, a comparative study of the flickr worldmap was undertaken and roughly 6.8 million metadatasets of geocoded photos in France, and roughly 50,000 metadatasets in Afghanistan were downloaded and the metadata was analyzed. Our results indicate that photos geocoded in France show a large diversity of motives, while photos geocoded in Afghanistan are mostly limited to content containing warfare when they are up loaded in English. The content of the photo and therefore the representation of space strongly depend on who uploaded the photo, particularly in Afghanistan. We can show that the representation of space on the internet, for the case of flickr, is strongly dominated by perceptions of Western societies and individuals. We therefore confirm our hypothesis that the supposed opening up of geographic information systems through ‘easy-to-use-mapping-tools’ and their democratization thereof was premature. Moreover, we highlight the importance of understanding who contributes online content to be able to evaluate peer-produced data, its value, and its possible applications to avoid reproducing biases.  相似文献