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排序方式: 共有94条查询结果,搜索用时 781 毫秒
61.
类电影艺术:旅游景区属性的一种假说 总被引:1,自引:0,他引:1
首先从旅游规划的角度对旅游景区的艺术属性进行讨论后认为:景区不仅仅是风景画,也不仅仅是剧院,作为一种艺术作品,景区更像是游客参与演出的电影.其次从7个方面阐述了景区与电影艺术之间存在的一系列类比关系:相关人员之间,旅游资源与剧本素材之间,景区主题与电影主题之间,旅游活动与故事情节之间,景观与场景之间,景区空间结构与电影演进结构之间,景区类型与电影类型之间. 相似文献
62.
陕西省观赏石资源分为单矿物玉石类、岩石玉类、卵石与水冲石及古生物化石四大类。著名的观赏石有水晶、萤石、绿松石、五彩石、芙蓉石、商洛翠玉、粉翠、菊花石、蓝田玉、洛南翠、黄陵石、磬玉石、墨玉、汉江石、秦岭石、泾河石、洛河源头石、陕西省黄河石、嘉陵江石及古生物化石等。 相似文献
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65.
Steven Hoelscher 《GeoJournal》2008,73(3):195-217
This article explores the relationship between historical memory, urban space, and photography by way of a case study: the
place-specific public art of the Guatemalan photographer and human rights activist, Daniel Hernández-Salazar. As one of a
growing number of Latin American artists committed to combating the “institutionalized forgetfulness” of human rights violations
throughout the hemisphere, Hernández-Salazar deploys geographically-rich photographic installations to help his society remember
its difficult past. The installations, known as Street Angel, are like ghosts haunting the graves of the murdered, fortresses of the powerful, bastions of the complicit. By shedding
light on these ghostly angels, this article reveals the important role of photography, as a crucial vehicle of memory, in
bearing witness to the unimaginable horrors that consumed much of the twentieth century, as well as that technology’s limitations.
It also shows how remembrances of those atrocities depend on urban space for their grounding, articulation, and maintenance.
Finally, by probing the artistic impulse and political sensibility that created Guatemala City’s angels of memory, it makes
the case that, in the combustible political climate of post-war Central America, the work of remembering the past is not an
antiquarian exercise: the labor of memory is a fundamental component of building a just society.
相似文献
Steven HoelscherEmail: |
66.
Alison L. Bain 《Urban geography》2018,39(6):844-867
This paper interrogates the role of artists as city builders by critically examining the relationship between artists, property ownership, and development. The ebb and flow of arts-led property development along one downtown arterial corridor, James Street North, in the mid-sized, post-industrial city of Hamilton, Ontario offers insight into the role of artists in the social context of property development processes. An analysis of the locally contingent responses of individual artists as property actors – their motivations, actions, and strategies – reveals how urban development processes are socially framed. This examination of property development conditions challenges current popular assumptions concerning the relations of artists and property and the assumed relative powerlessness of artists in city building. Small-scale artist-developers in this mid-sized city are pivotal, yet underappreciated, agents in the real estate sector, with the power to collectively impact upon both the city’s built form and the spatial stickiness of its local art scene. 相似文献
67.
《Geoforum》2017
This research examines urban sculpture production to understand how a public art (called “urban sculpture” in China) scene is produced in the country, using Shanghai as a case study. Theories of Chinese urban planning are innovatively applied. The findings generate theoretical implications for “contextualizing” public art production in geographical studies. All the chief officials in charge of urban sculpture planning in Shanghai were interviewed, and documentary analyses were conducted. The article argues that urban sculptures are conceived of as both symbolic capitals and didactic tools in the cultural policies of Shanghai. Urban sculpture planning plays an important role in coordinating and manipulating development of symbolic resources to advance urban entrepreneurialism within the ideological framework of the Communist Party’s leadership. The main features of the urban sculpture planning system of China are twofold: (1) The two-tier planning structure combines a master plan at the municipal level and detailed plans for site analysis and design guidance at the district level, all collaboratively working to create an attractive city image for urban entrepreneurialism. (2) An authoritarian style of planning system controls the contents and expression of urban sculpture within the ideological framework of urban sculpture planning. 相似文献
68.
砌体填充墙框架结构抗震性能研究现状与展望 总被引:8,自引:0,他引:8
针对砌体填充墙框架结构在地震作用下的受力特点,分析了填充墙钢筋混凝土框架结构产生震害的主要原因。结合国内外砌体填充墙框架结构理论和试验研究成果,围绕填充墙的刚度退化规律和不同性能水平的层间位移角,评述了填充墙框架结构的研究现状。最后,结合基于性能的抗震设计理论背景和禁用黏土实心砖提倡节能的政策背景,指出了今后应以实现基于性能的抗震设计为目标,针对新型砌体填充墙框架结构开展系统研究。 相似文献
69.
Waldemar Cudny Håkan Appelblad 《Norsk geografisk tidsskrift. Norwegian journal of geography》2019,73(5):273-289
ABSTRACTThe aim of the article is to present and discuss functions of public monuments in relation to different dimensions of geographical space. The authors discuss public spaces, monuments, public art, based on a mixed-method approach and an analysis of scientific literature as the main research method. The theoretical discussion is supplemented with the results of Internet searches and an analysis of media supplements, and specific examples are given, including some from Poland. An additional method was autoethnography, which involved an analysis of cultural phenomena based on the authors’ experience. The analysis revealed that monuments were part of public art and thus enriched public spaces in cities. They fulfilled different important functions: artistic, symbolic, commemorative, political, social, religious, marketing, and mixed. Additionally, the monuments reflected the contemporary transformation of ideas and social orders and therefore also reflected contemporary urban debates. They were products of social relations, powers, ideas, identities, and the collective memory reflected in the urban spatial structure of cities. The authors conclude that the examples presented in the demonstrate that monuments perform various functions in urban public spaces. From a spatial perspective, the role of monuments depends on their different impacts on people’s perceptions and interpretations of space. 相似文献
70.
异质人脸图像合成旨在生成逼真、可识别的多种视觉形态的人脸肖像,包括画像、漫画等多种模态.异质人脸图像合成在公共安全和数字娱乐领域具有广泛的应用前景和重要的研究价值,已成为当前研究热点之一.近年来,随着生成对抗网络的发展以及其在多种图像风格转换任务中的成功,研究人员利用生成对抗网络构建了多种异质人脸图像合成的新方法.本文简要回顾了异质人脸图像合成的发展历史,并从异质人脸图像合成的应用进展、模型结构、性能评估、数据集和定性分析等方面综述了该领域最新的关键技术的发展情况,展望了异质人脸图像合成面临的挑战以及其关键技术的发展趋势. 相似文献