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Abstract: This paper discusses three walking tour guides prepared for the 12th International Conference of Historical Geographers. It argues that the guides are innovative in terms of format, content and ironic sensibility. It construes them as devices for re-imagining Auckland's urban heritage. 相似文献
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应泰国气象厅的邀请，固定地震局派遣了由郑斯华、叶洪组成的中国国家地震局专家组，于１９９４年８月１７日至９月４日访问考察了泰国。访问期间，泰国地震专家们向专家组介绍了泰国的地震活动性和地震工作现状；专家组访问了泰国Ｃｈｕｌａｌｏｎｇｋｏｒｎ大学的土木工程系，了解了泰国地震工程研究的情况。本文介绍了泰国的地震构造和地震活动性以及泰国的地震工作现状等。 相似文献
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《Geoforum》2015
This paper examines the relationship between spectacle and worlding. Using Dharavi as the site (cite) of analysis, the paper considers how slum tours, art and television documentaries produce particular narratives and imaginaries of the slum. We move beyond the discussions of voyeurism and the aestheticisation of poverty and suggest that the knowledge of the slum is entangled with the motives, preconceptions and experiences of multiple actors, giving the slum a relation with the “world” that holds opportunities to disrupt hegemonic views of urbanism, while centering its own position as a locus of knowledge on urban poverty. The paper suggests that analysing the spectacle of the slum through the lens of worlding offers ways to think critically of how urban space is reordered and urban knowledge is produced and circulated. 相似文献
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Alena Gessert Janetta Nestorová–Dická Ivo Sninčák 《Geografisk tidskrift / udgivet af Bestyrelsen for Det Kongelige danske geografiske selskab》2013,113(2):173-183
Show caves are one of the most important targets in developing local ecotourism strategies. This work focuses on a tourism visit rate incidence through an Attractiveness Index concerning 12 selected show caves in Slovakia. Our study focuses on visitor counts published from 2000 to 2014. A set of eight criteria were selected in order to analyse and determine the appeal that each cave may have for visitors. Establishing the “degree” of appeal as an indicator of the tourism and geographic absolute attractiveness value is based on a principal components factor analysis; the resultant single factor was correlated with our selected criteria. We find a strong correlation between touristic cave attractiveness and cave locations, ease of cave passage access (vehicle and trail) infrastructures, cave location in main tourism regions, and the growth of urban areas as they encroach on show cave locations. Similar studies in valorization of show caves tourism have not been attempted in Slovakia or Eastern Europe. The data and result from this study are also clearly important from a managerial perspective. This general framework could be easily expanded to include additional attributes that might be relevant for other market segments or other vacation experiences. 相似文献
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《International Journal of Digital Earth》2013,6(1):44-58
Abstract Gaia Journeys is a collaborative multimedia musical and virtual reality art performance conceived by author Williams, with the aid of staff at the Denver Museum of Nature & Science. Inspired by astronauts who spoke of seeing a border-less world from orbit, Gaia Journeys’ chief goal was to deliver this experience to museum audiences via photo-realistic virtual depictions of the Earth (from orbit as well as via spherical photographic panoramas taken from the ground) choreographed to live musical accompaniment. Gaia Journeys took place in the high resolution digital ‘fulldome’ Gates Planetarium, with Williams playing the violin and keyboards, enhancing a previously recorded backing track, while visuals were generated with SCISS AB's Uniview. The eight tracks of audio were three-dimensionally spatialised to the 16.4 sound system of the Gates Planetarium, providing an immersive sound experience to match the visuals. The audience feedback was generally positive, with great interest in repeat or similar future programming. These visitor evaluations suggest the potent power of the new class of digital planetaria for displaying virtual globe datasets to the public, via both multimedia entertainment like Gaia Journeys as well as traditional lectures. 相似文献
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Mayeul Mathias Fen Zhou Juan-Manuel Torres-Moreno Didier Josselin Marie-Sylvie Poli Andréa Carneiro Linhares 《International journal of geographical information science》2017,31(3):591-616
This article describes a method to provide adapted visit tours in art museums according to the preferences expressed by the visitor and exhibits prestige. It is based on a dual approach with, on the one hand an automatic textual analysis of the official information available online (labels of exhibits) that allows to rank the exhibit attractiveness for a standard museum visitor. On the other hand, individual preferences are also taken into account to adapt the visit according to the personal cultural awareness of the visitor. We use operations research to solve a routing optimization problem, aiming at finding a visit tour with time constraints and maximization of the visitor satisfaction. Depending on the instance size and the problem scale, an integer linear programming (ILP) model and a greedy algorithm are proposed to recommend personalized visit tours and applied on two museums: ‘Musée de l’Orangerie’ in Paris and ‘National Gallery’ in London. The obtained results show that it is possible to recommend a good tour to visitors of an art museum by taking into account the common prestige of the exhibits and the individual interests, joining automatic text summarization and routing optimization in a limited geographical space. 相似文献
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中国地震局地震预报代表团 《国际地震动态》2000,(12):11-15
２０００年８月,以中国地震局分析预报中心主任陈建民为团长的中国地震局地震预报代表团一行９人赴法国和德国进行学术交流和访问,代表团在访问期间,先后参观了法国格勒诺布尔的多曼纳大学地球内部物理和构造物理实验研究室、斯特拉斯堡的地球物理研究所,德国波茨坦的地球科学研究中心,汉诺威的地球科学和自然资源联邦研究所,并与两国有关专家进行了学术交流和讨论。 相似文献
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《Geoforum》2017
This paper develops the concept touristic disaster as a heuristic device to examine the conflictual and contradictory aspects of showcasing disaster-devastated neighborhoods as tourist attractions. Touristic disaster refers to the application of tourism modes of staging, visualization, and discourse to reenchant the money making deterrents (stigma) of “destruction” and “ruin” and re-signify disaster to indicate “recovery” and “rebirth.” This paper uses empirical examples from New Orleans to examine the transition from “disaster tourism” to “recovery tourism” in tourism framings of post-Katrina rebuilding. The concept of touristic disaster views disaster-devastated neighborhoods as sites and arenas of contestation in which opposing groups and interests battle to control representations of urban space. The paper illustrates the motivations, processes, and paradoxical impacts of the commodification and global representation of “disaster” and “recovery” and provides insights into the ways in which people can use spectacle to contest marginalization. 相似文献